shonky , dan ghenacia, dyed soundorom are apollonia

having previously kept their re-edit series in-house, leeds-based crate-diggers joe s bakery have invited moton (aka london veterans diesel and dave jarvis) to deliver the latest release. those who ve followed the moton records inc series (active since the 90s) will know what to expect: expert re-rubs of obscure material that get the right balance between dancefloor chops and home listening selections. look out for the odd shuffle and electric piano solos of -moody blues-, the percussive early 80s, synth-heavy live disco brilliance of -zoo- (yes, it s definitely balearic) and the hazy, midtempo disco-funk of -bumps-. it s getting progressively hard to find worthwhile re-edit 12- singles, but this one s a genuine killer

for the second release of s3a records, s3a chose the most talented parisian new blooded artist nowadays: neue grafik ! he has jazz, funk and hiphop roots and his house music sweats all of these influences. this ep goes from “great sample based house musi”c to “saxophone played bridges” passing by delicious piano interludes witch can demonstrate all breadth of his talent. a release made to last for years with a classy delightful efficiency.

professional youth club terms another fine 2track ep from label owners sevensol & bender. with kann 21 both again renew their status as trusty soldiers of rhythm and atmosphere, while reconfirming their own trollig – sentiment even though the obvious glimpse is addressed to never ending dance floors.

die neue ep von wolfgang lohr ist ein absoluter -lohrwurm-. bezeichnend sind die groovigen drums, das retro e-piano der 70iger und housige vocals in - free as a bird . mit -tabula rasa- geht es steil nach vorn, typisch treibend für den dancefloor. remixe kommen von bebetta (berlin) und rich vom dorf, die sehr schöne und abwechslungsreiche tracks produziert haben. kurzum: eine starke platte für den club!

deluxe limited re-edition of original release from 1967, remastered from original tapes. comes in gatefold cover with original artwork.

danse club 16th release welcomes greek producer, sek also of ama, morris audio, large. the release kicks off with everybody, a bumping and groove filled slice of deep house that employs a simple bass, a filtered piano chord groove and sparse vocal hits. next up is no matter what, a driving, garage influenced record which is sure to send dance floors crazy. last but not least the b2, sofa king high. a laid back, deep, sleezy house record with distorted chords, smooth bass and addictive vocals.

new label akuba records bringing you the very best in deep, cosmic, soulful & funky african disco music. their debut release includes 2 edits, the a side is gonna tear up the dance floor for sure, its an afro disco bomb, heavy drums, tight guitar licks with added keyboard stabs, some wicked brass and cool vocals, add some dubbed out effects and we have the perfect afro party tune. the b side is a more laid-back affair, cosmic dubbed out afro disco with a very tropical feeling going on, plenty of acoustic and electric guitars, copious amounts of effects and ending with some jazzy piano, a true desert island disc and perfect hula dancing material.

after his highly acclaimed sunset in kreuzberg ep, dib001 shifts gears and goes straight into techno mode: constantine is a steady number, its acid bass line slugging around a dark lfo pulse and punching snares. piano chords slow down the pace here and there, adding a dreamy touch to the mood. on remix duties, idriss drafts in gaetano parisio, the godfather of the italian techno scene: his track has a more percussive feel, with a classy swinging rhythm that takes over the original groove.

-sunkissed- is a unique track, with an exceptional use of jazzy chords and electric piano stabs working their way into a groovy bassline progression and topped with cool vocal snippets and a killer breakdown. a feel-good harmony experience for sure. -whos

japanese dj/producer, dj wada has over 30 years of dj career. his reputation has grown as accurate technician. on the producer side, he formed co-fusion and atom with heigo tani (a.k.a. wall five), they have released over 20 titles on the labels as reel musiq, pro-jex, etc. this is the 2nd release from his own label diretta launched 2014. a side is with electro beats featuring jazzy hones. side b is minimal techno track with piano sample and freestyle drums taking you to a long journey.

for amselcom, london-based jaya shakira reworked the track in her fairy-like style, adding a piano that shows off the composition talent of loversrock. for the remix of her rework decalculator brought iannis ritter s smoky voice into the project. the artists achieve a calm, but poppy convergence, which fully does justice to the original monster/by loversrock. the b-side is a trip into oldschool sample based techno funk, containing the tracks freak and shade. freak plants a funny but dangerous musical description of a techno enthusiast into your ears. the samples used in shade sound like they could ve been recorded at the zoo and present a variety of mystic sounds.

axe on wax return with it s third release welcoming on board speakdeep, stefano esposito (luca tuccillo piano mix), ciro de gais & kidmark all supplying raw old school sounding house bombs essential for real house music lovers that play quality wax!

after the success of their first release charmin are back with another high quality wax. this offering showcases the talents of florist and close friend of the imprint tilman, all pressed up on heavyweight vinyl with a lovingly designed cover. the ep kicks off with “proof nothing” which is a statement of intent. deep, churning piano chords overlaid with delayed vocal samples all underpinned with a solid beat and deep bass. next up “raw” does exactly what it says on the tin. this is a stripped down thumper with crunchy claps and an infectious groove. “once again” has a looser, more percussive feel to it with machine gun snares rattling off overt the top of a killer chord line. bringing things to a close is “mood swings” which builds brooding atmospheres and eerie vocal snippets. all in all this ep carries on the good work of this exciting new label. charmin continues its journey to bring you uncompromising, underground house music of the highest order.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

valentin stip plays a piano interpretation of his debut album sigh released last february on other people. single-sided pressing on 10 inch vinyl.

limited nice price action
suspicion is a funky piano summer house anthem with nice female vocals by lucky 15 flip over for shooter in original and dub version aimed directly for the bigger floors not to be missed

hes ridden us raw with his naked piano, made our booties clap so hard weve needed medical care, shown us his titsss and hes even taken us to the mo wherever that is. now belgian wunderkind kill frenzy is about to flip the biggest switch of his career and whisk us away on his most exciting, most extensive dirtybird adventure yet: his long-awaited debut album taylr swft.

we here at watergate are extremely excited to bring you our next 12inch release from a close friend of the club and producer extraordinaire, alex niggemann. for this ep alex joined forces with the acclaimed voice from whomadewho, bon homme, to create an incredibly warm and beautiful journey. sorrow is a masterfully crafted array of sound and emotion. while a big rolling kick and crisp hand claps drive the groove, a capricious arpeggio, warm piano chords and the smooth serenade of bon hommes vocals create an undeniably passionate excursion into the deeper moments one can experience on the dance floor.

ltd 2014 repress !!
deep percussive detroit style house with dreamy piano blue notes on the a-side, while the flip holds a more jacking tune with abstract piano chords

blind jacks take us on another tripp, not just any tripp. a collectable series of musical journeys and dreams. this journey begins in the fontainebleu forest of paris and on to n&#337,,,,tincs via the hungarian hills of börzsöny concluding in the secretive depths of coed y quad. vinyl purchase allows you access to rare secret digital tracks from each artist also. apply within. hand stamped double mint ice cream vinyl.

the second album from kiesza as double 12 inch vinyl in gatefold sleeve.

binnen 9 monaten veröffentlicht new jackson seine zweite ep für permanent vacation. die a seite liefert mit der balearica house nummer -having a coke with you- euphorische 11 minuten mit wunderbaren stringsounds für alle traumtänzer dieser welt. auf dem elektro-funk infizierten stück >ok alone ok< lässt der produzent aus dublin erneut seinen trademark vocoder sound einfließen und -player piano- beschließt diese ep mit beschwingtem boogie zu satten beats.

limited edition of 500 handnumbered copies.

now part of the family for more than a year, tvfrom86 aka thomas zander is releasing his 1st solo ep on the popcorn imprint.

it was a little bit quite around the wirrwarr label in the last few years, as the boys focused on other projects like building up an bookingagency, a 2nd recordshop, new labels and for sure producing new music. now they are back with some fresh and crazy minimal techno tracks. on a1 we have mr. wigbert with his first appeareance on wirrwarr, a2 comes from labelhead locke in cooperation with mc shaver. b1 is a freaky brain damaging minimal monster by matt star. and last but not least b2 called *piano*, a old but still fresh sounding work of locke. freak out!

the title track reveals a deeper and more contemplative mood for 2014, with a pensive piano loop, a dark-toned deep house swing, and a vocal sample that speaks to the experiences of the disenfranchised. chris lattner s remix of the same provides a punchier and more dramatic rhythm track for maximum impact and a more urgent effect. b-side production -morning poem- harnesses the power spoken dialogue again, with a big flter of distortion, and wispy, whirring deep tech sounds tha testablish a late night feel.

as bass culture proudly reaches its 40th release, it gives us great pleasure to welcome back john jastszebski after he last turned out an ep for us back in 2012. releases for phonogramme and robsoul in the past two years have confirmed that he is a force to be reckoned with in the booming parisian house and techno scene. his approach on the would be back e.p fits in perfectly with the bass culture aesthetic, delivering tracks with a simple immediacy, always loaded with soul in just the right places, but never shirking the all-important groove. > would be back< s sturdy beat leads neatly up to a colourful burst of piano chords and rousing strings that make this into a perfect summer house cut. > fevrier< comes on with an entirely different season in mind, as mysterious and dubby tendrils of synths and samples unfurl around each other with a distinctly wintry mood. > my girl< meanwhile keeps the energy levels up with a stripped back, punchy beat, filling the space in the mix out with rousing pads that soothe and uplift.for a remix of > would be back<, we decided to turn to a long-time legend of the uk house scene, nail. his remix takes a more emotive approach to johns original, dropping in some playful synth lines and dreamy effects with stunning results. reaching across all seasons, situations and times of day and night, the would be back e.p delivers just the kind of versatile house music that sets our souls alight here at bass culture

nofitstate return with four tracks from hot talent a1 bassline whose reputation has been building of late from a succession of releases for the likes of dirtybird, get physical and gruuv amongst others. here hidden agenda finds the young producer in true devastating form. skippy percussion, a nod to the uks garage scene, vibes the track along nicely whilst the bass does the damage. burnt out piano island delves deeper, acting as a neat counterpoint to the more main room agenda. here the style is much more nuanced with a more hypnotic leaning. outsider picks up the pace against, albeit in a subtle, uplifting vibe with warped pianos and razor sharp percussion. t moe p rounds things off nicely with a moody bassline driven groove.

jordan klassen trifft mit seinem folk-pop den ton der zeit, klingt dabei jedoch nicht wie ein jedermann. intim und eingängig dürfen wir den musiker auf seinem debütalbum „repentance“ kennen lernen. warme und detailverliebte songs sind sein metier, bei denen sich zu seiner stimme eine feine melodie und außergewöhnlicher rhythmus gesellt. die erste albumsingle „go to me“ ist ein paradebeispiel dafür, auch die bunte instrumentalisierung des albums klingt daraus hervor: glockenspiel, bläser, streicher und die ukulele sind nur einige davon.

there are few names in dance music today which need less of an introduction than masters at work. the ground-breaking project of louie vega and kenny dope, masters at work forged a reputation for genre eschewing dj sets and flawless house production throughout their extraordinary careers, while their influence and reach changed house forever.

still riding high on the support for his recent circus collab with ki creighton, new uk talent kydus immediately returns to the label with a brace of new tracks that have already become proven weapons in the sets of label yousef and the mighty carl cox. his latest double-header sees him turn out more fierce grooves and raw funk with a large helping of sun-fuelled piano for good measure. free spirit is captivating from the first drum to the last. a rolling groove, almost house, almost techno. a poignant story told that surrounds the listener with uncompromising positive energy, a huge summer moment if there ever was one. yousef has been nurturing the demo for almost six months, building it from a secret weapon to circus anthem.

o.v. wrights album -into something- wurde von hi-records qualitativ so hoch eingeschätzt, dass man den künstler mit den besten voraussetzungen für die aufnahmen ausstattete: memphis horns and strings bilden die backing-band, ein gewisser james brown spielt piano, und die besten background-sänger aus den eigenen studios wurden verpflichtet. o.v. wright, der ja zuvor schon mit al green und ann peebles aufgenommen hatte, nutze die gunst der stunde und produzierte dieses kleine soul-juwel und überzeugt zudem mit seinem einzigartigen gesang.

70% deal - his 3rd shows why he is coming up, w/good diversity. idee fixe, a very smooth dance cut w/piano chords that carry the tune, strong percussion + moving bass. chili cheese fries follows with an underground sound & a real detroit feel.

lauer returns from mascats orbit to new york citys beats in space records with a new two-tracker, hands & feet / stigma. since 2012s mascat ring down, lauer ditched city life for a quiet village outside of frankfurt. lauer embraced the space for his young family and settled his creative headquarters in a quaint attic studio. the new environments and housemate, a slumbering infant son, inspired these two songs to breathe a delicate and patient air. recorded during the first summer of his new domesticity, both tracks swell with echoed piano riffs buoyed by lauers dependably precise programming.
the vinyl ep includes a download code.

a soul experiment is the fourteenth album by trumpeter freddie hubbard recorded between 1968/1969 and released in 1969. it was his third release on the atlantic label and features performances by hubbard, carlos garnett on tenor sax, kenny barron on piano, gary illingworth plays the organ, billy butler & eric gale on guitar, jerry jemmott on bass, and grady tate & bernard purdie on drums. pressing on 180 gram audiophile vinyl.

danse club label bosses scott & austen smart aka brodanse unleash their second release on the label, the the ride featuring vocals from cari golden. the release kicks off with the original version of nobody walks, a tough and grooving slice of vocal house that employs a simple bass and piano chord groove to provide the soundbed for cari goldens distinctive vocals.

alison marks returns fresh from her recent collaborative releases as wallflower with leah floyeurs and lumina, her more machine based project, with helen copnall. here she delivers a subtle yet enlivening piece in the form of mama,a slow, enchanting groove which works surprisingly well pitched up utilising piano, strings and a vocal motif reminding us why it is that we spend so many hours on the dance floor/behind the mixing desk/in the record shop.

serge gainsbourg may primarily have been known outside his native land for the heavy breathing masterpiece *je t aime (moi non plus)*, the only french song ever to top the british charts, but to those at home he stood as one of the more potent cultural figures of post-war france. discover why he is held in such high regard with this 180g double-vinyl set.

detroit legend terrence parker lands on defected with > open up you spirit<, featuring four brand new mixes of one of the standout cuts on his life on the back 9 album.

londoners kiwi and ashworth return to sneaky for a follow-up to dawn ep, the warm, dusty and at times experimental release, championed by the likes of daniel avery, eric duncan and tiefschwarz. the past few months have been busy for both halves of the duo, with kiwi signing to duke dumont s blase boys club and remixing for house music super-labels bpitch control and get physical, whilst ashworth has signed music to tomoki tamura s holic trax and needwant. second ep takes a new format, with two original tracks alaska and na am on the a-side, backed up by a nicholas & marcoradi remix of cux3 and ranacat s remix of zubr. alaska could be described as an amalgamation of the inspirations that lead to the first sneaky release, combining the pumping house beats of cux3, the comforting wurlitzer of zubr and the ethereal movie-soundtrack dusk. na am is something totally different, existing mainly as a collage of recorded and found sounds, avoiding the usual structure of house music in favour of something reminiscent of the weirder side of the chemical brothers. strange though the track may be, the climax would undoubtedly move a room full of pilled up ravers to a state of frenzy. the b-side remixes both hint to dance floors of the 90s, with nicholas and marcoradi making you wait and wait before dropping an unforgettable piano hook, whilst sneaky s ranacat lifts zubr out of context and into peak time territory.

our fetishes human halo strikes back with his 3rd ep on our imprint, showing his unique sound crossing techno, house, funk and dance. the pack includes 2 originals with a strong base, melodies and funk attitude. remixes are in charge of outstanding artists david keno (get physical / suara / noir) and michal ho (get physical / tuning spork).

steve frisco, of serie limitee fame, brings us the latest bundle of hot tracks to hit wax classic in 2014. as the title suggests, steve takes us on a journey through low fidelity sounds and production techniques. think dark, moody, yet crunchy basement house tracks with inspiration taken from all over the u.s and the rest of the house world. it’s a generous offering as well. six whole dusty tunes for those diggers who are looking for something with a bit more range than another record of generic piano laden, house-by-numbers pieces that still seem to be flooding the record store shelves in 2014. the moods do vary from track to track, but they remain very reflective and almost melancholic at points. the title track, ‘adventure in lo-fi’, is the deepest of the lot with filtered chords, echoing claps and a sporadic kick pattern that often clears way for the track’s bass hits. now, compare that to ‘da brooklyn beat’. whilst the former had a distinct sunrise/sunset kind of feel to it, the latter is definitely more of a club affair. skippy snare hits and a strong organ lead the track on, and at the risk of utilizing very overused buzzwords such as ‘raw’ and ‘ruff’, this track, and the rest of the a-side for that matter, certainly captures that essence. stalwart wax classic fans will no doubt be picking this one up to add to their collection. however, i strongly recommend this ep as a jumping in point to the label for any newcomers out there

kalipo is jakob häglsperger from berlin who devotes himself to experimental electronica. his debut album yaruto follows a series of remixes and contributions to compilations released by antime and stiff little spinners. on it, häglsperger tries to create a both unique and timeless sound that takes cues from dance music, downbeat and gamelan traditions alike. making use of his wide array of analogue synthesizers, a rhodes piano, a metallophone and guitars, häglsperger is creating the abstract narrative of an impersonal biography by creating moods that correspond with certain stages of life as well as chopped up vocal samples. the double vinyl lp includes a download code.

following the success of the digital release of sleazy mcqueens *you know how ep*, upstart label, cvmr were compelled to press the remixes to vinyl. the proceedings open in superb style thanks to the revenges live dub. a bass heavy tool with equal parts classic house and disco, with a touch of arthur baker-style drums. on a2, sleazy mcqueens space coast take things to the basement with the help of romano arcaini (latenight society), warm rhodes, live bass and an absolute drum-break-freakout add a decidedly different dub flavor to the package. b/w compost blacks main man kasper bjorke offers his acid tinged interpretation, driven by a gritty saw-wave bass hook, rolling snare hits, wanderings arps and crunchy drums, a simply stunning piece of music as expected from the undeniably talented copenhagen born producer. closing out the remix ep, cvmr in-house producer, century strips back the vibe to a dropped tempo, emotive workout fuelled be heavily reverberated piano chords, echoing vocal lines and a general chuggy, low-slung vibe throughout.

it has been two year s since 124 recordings first released joey kay s toy piano and we wanted to produce something special to celebrate our second birthday.so here is 124r 008-eight tracks over two 12- and a limited single sided remix on 7- that represent the many different shades of house music the label has pushed since its beginning s.from the deeper spectrum of mome,tom noir and desos to the heavier bass leanings of metta,leigh d oliver and peter lawrence,there is also the inclusion of a hammer jay shaw remix of the lead track that will be available in limited numbers with the doublepack,many thanks to everyone who has supported the label,we hope you enjoy this release.

epic sub-driven & upfront dancehall-steppin exceptional riddims, electroid hip-hop and house of the deepest kind produced between 1997 - 2003 by don papa in the underground solitude of moss norway. true in spirit and heart - as well as in groove and bounce. sex tags mania issue 26 represents

with his new album “ghosts from the past”, mr. fürstenberg doesnt say goodbye to an old chapter, but he is rather building a bridge to a new one. familiar elements are the mortar to a complete musical piece, with an extended foundation, new accents, and a fresh face. gftp is a musical retrospective of a new way of life – with a child – that was born in november 2010. the conception and creation of this album began to take form in parallel to that of his unborn son, as an almost aural twin. markos wife helped with the album artwork while also carrying a little marko inside her. so again the past was knocking on the door. good morning!
pressing on translucent, smokey marbled vinyl.

to get things started we have a gorgeous soulful disco number, heavenly vocals, classic disco strings, brass stabs, tight baseline and the drums are pure class, tastefully extended in all the right places so as to stay as true to the original as possible, guaranteed to get your crowd dancing and singing along. on the b side we have one hell of a disco boogie funk bomb, plenty of breaks included in this stomper of a track, sharp drums, powerful vocals, funky baseline, guitar, piano, synths and some brass to boot, mix it all together and you get one hell of a party record.